![]() I have used it several times, and it’s an amazing lens for portraits or interviews. I have lusted for the Canon EF 100mm macrofor many years and still don’t own one. You can’t go wrong with these if you need a fast prime, but Canon would be my first choice, especially if you have a C100. The ZE and ZF line has the same optics as the CP.2 line but at a fraction of the price. Perfect for a follow focus if you add a gear to them. The ZE or newer ZE.2 are manual lenses and have a very smooth focus ring. However, Zeiss ZE is also a great choice. Suppose you fancy the sharper and faster variety then you’re a prime guy! I like several, and yes, they’re Canon L brands. It’s a very fun lens to use, and since it’s native, it’s even wider than this one is on the C100 and C300. The Panasonic 7-14mm f/4.0 Micro Four Thirds. Since it’s a fisheye, I wouldn’t use it very much, but I have a similar lens for my GH3/AF-100. The Canon EF 8-15mm f/4L Fisheye USM delivers 180 diagonal angle of view images for full-frame EOS SLR cameras. The RED Pro Zoom 17-50 is supposedly a rehoused Tamron 17-50 non-VC. Tamron 17-50 VC is also one to look at if you want to save some cash. I can have them change the mount to an EF for about $250.00. I have the Duclos version in a PL mount, so I cant use it on the C300. The Tokina AT-X 116 PRO DX-II 11-16mm 11MM-16MM f/2.8 Lens for Canon Mount is also an excellent choice, and it’s a better value if you are short on cash. It doesn’t have IS and is shorter on the zoom end, but IQ is excellent and heck! It’s an L lens. Another option is the EF 16-35mm f/2.8L II USM. Also, the lens seems to collect dust inside easier than most. I have heard that the focus ring is a problem, so that it could be an issue. What a pain getting the proper exposure when the F-stop changes in the zoom range. This isn’t an L lens but has a constant F2.8 aperture. Zoom Lenses Canon EF 24-105mm f/4 L IS USM If I was going to buy today, these are the ones I would consider and some I would dream of getting. The issue with zooms is they generally have a lower IQ than primes, so that’s why getting a good one is important. It’s a pain to change lenses if you need to move quickly constantly. Zooms are a good choice for digital cinema cameras. I like to look at Canon lenses first and see if another brand has something interesting.Ĭanon usually cost more, but they will last a long time, yield top-notch results, and hold their value better. Again Zeiss is fantastic, and Tokina makes a great and one of the sharpest ultra-wide zooms available. Not to say there aren’t good third-party lenses. They will outlast the camera you have now unless you move to a totally different mount like PL. ![]() It’s cheap to rent and will give you the confidence that you’re making a good decision. I recommend you rent the ones you are not sure about. Everybody has different needs for what they shot, so keep this in mind when looking for the right lenses to buy. So what lenses should I get? Here is a list and why I like them. I also have native MFT lenses for my GH3/AF-100 that won’t work on the Canon Cinema EOS cameras. Add about 15mm to your lens to get a good idea of the field of view. S35 is a little bigger, so you get more from your full-frame lenses. Then the lack of shallow depth of field kicks in with a 25mm wide-angle lens. With MFT, your full-frame 50mm has a field of view of 100mm to get a normal 50mm. It’s hard to figure out since the crop factor for MFT and s35 sensors are different. Owning the AF-100 and GH cameras, I experimented with different lenses to find the right ones. Nowadays, I decided to move away from Nikon mount lenses and have sold all my Nikon lenses. This drives me crazy that Nikon chose to have the focus rotation direction go the opposite direction than all other lenses. I bought the Nikon mount because I used it with an AF-100, and the focus rotation would match my other Nikon mount lenses. The Zeiss is also available in an EF mount as a ZE version. It worked very well, and the Zeiss is a sharp, fast lens. I supplemented with a Zeiss 85mm ZF F1.4 with a Nikon to EF adapter from Fotodiox. The Canon 24-105 IS F4 L, Canon 70-200 F4 L and the fast, cheap, but very sharp Canon 50mm F1.8.
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